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THE ODYSSEY (dir. Christopher Nolan, starring, Matt Damon, Anne Hathaway)

  THE ODYSSEY (dir. Christopher Nolan, starring, Matt Damon, Anne Hathaway, Robert Pattinson)   Christopher Nolan’s new film The Odyssey is a preposterous sword and sandal depiction of Homer’s epic which rejects a historical approach.  So, Matt Damon’s Odysseus wears an absurd pair of leather arm guards, omnipresent in such mish mash puddings that seem to incorporate old style Hollywood blockbusters with genuine renditions of the Homeric epos. The film is set in the classical Greek era, circa 5 th century BC, about 700 years after the period the epic alludes to which was the 11 th -12 th centuries BC, in the heart of the bronze age.  Nevertheless, historic changes are alluded to such as the arrival of the sea peoples and the bronze age collapse which prefigured the beginning of the iron age and the arrival of new peoples who began to dominate the Mediterranean world. The gods are alluded to but are never visualised.  We learn that the Cyclops Polyphem...
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RICHARD DADD: BEYOND BEDLAM at the ROYAL ACADEMY on the 11th of August 2026

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  RICHARD DADD: BEYOND BEDLAM at the ROYAL ACADEMY on the 11 th of August 2026   Richard Dadd was born in Chatham Kent in 1817 and died in 1886.   Dadd learnt to draw and paint at the Royal Academy, and while there he was a member of a small art group known as The Clique.   The exhibition traces Dadd’s career in a linear fashion from his art apprenticeship to his early fairy paintings.   These are derived from Shakespeare’s A Midsummer Night’s Dream and his work Titania Sleeping (1841, oil on canvas) was an early masterpiece that made him famous.   It depicts Titania sleeping surrounded by goblins, Oberon lurks in the shadows preparing to anoint her eyelids.  Fairy painting was a popular Victorian genre.  Dadd's tutor at the Royal Academy also was well known for his fairy paintings.  Victorians generally were sceptical and rational and new theories such as Darwin's theory of evolution and Freud's discovery of the unconscious had begun t...
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FRIDA KAHLO: THE MAKING OF AN ICON at the TATE MODERN on the 9th of August 2026

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  FRIDA KAHLO: THE MAKING OF AN ICON at the TATE MODERN on the 9 th of August 2026 Frida Kahlo was born in Coyoacan, Mexico City, Mexico in 1907 and died there in 1954.   In 1929 s he married muralist and artist Diego Rivera (1896-1957) and was married to him to the end of her life apart from a brief separation.   She was injured in a tram crash at the age of 18 and had to live with pain and disability. Untitled Self-portrait with thorn necklace and hummingbird (1940, oil on canvas) This exhibition is not so concerned with recounting the story of Kahlo’s life (most committed Kahlo fans know it anyway) but in interrogating the nature of her celebrity and iconic status.   This is perhaps a bit after the heyday of Kahlo idolatry which was the 1980s.   Memory the Heart (1937, oil on metal) While Kahlo’s spouse Rivera was a public artist, espousing radical politics and making murals celebrating the Mexican and Russian revolutions, Kahlo’s art was intimate, sub...
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FRANCISCO DE ZURBARAN at the National Gallery on the 10th of August 2026

  FRANCISCO DE ZURBARAN at the National Gallery on the 10 th of August 2026   Francisco de Zurbaran (1598-1664) was born in the remote Spanish province of Extremadura (meaning ‘hard earth’) but was sent to Seville in 1614 by his father to become the apprentice of Pedro Diaz de Villanueva, an artist of which not much is known.   Seville had become rich from the wealth of the Americas, and it was here that Zurbaran began to build an extensive clientele among the religious orders who had begun to benefit from this wealth and wanted expressive, new art that would reinforce the supposed spiritual certainties that they espoused.   Zurbaran depicted religious scenes to order, realist work with surreal elements. Zurbaran depicted classic church iconography such as Madonna and Child, the Crucifixion, martyrs and saints with a new emphasis on historical detail and research.   For instance, in his work The Circumcision (1639, oil on canvas) he draws, with accuracy,...
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STEEL MAGNOLIAS by ROBERT HARLING at the LYRIC THEATRE, BELFAST on the 17th of June 2026

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  STEEL MAGNOLIAS by ROBERT HARLING at the LYRIC THEATRE, BELFAST on the 17 th of June 2026 L-R Orla Mullan, Eimhear Jackson, Carol Moore and Marion O'Dwyer in Steel Magnolias, photograph by Carrie Davenport Steel Magnolias is a play that seems to be in the southern Gothic genre but it’s a traditional melodrama, more Meet me in St Louis than A Streetcar named Desire.   The conservative aesthetic means that the play has one set, the interior of Truvy’s hair salon, decked out in lipstick colours and conventional, period furniture (the play is set in the 1980s).    Like Meet me in St Louis the play marks itself out temporally in terms of traditional seasonal festivities like Xmas, the highpoints of the year when families tend to come together. Janet Moran as M'Lynn and Simone Collins as Shelby in Steel Magnolias Steel Magnolias is a dialogue centric drama and plot is virtually irrelevant.   We are told in the first scene that the central character Shelby (...
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TEA IN A CHINA CUP by CHRISTINA REID directed by DAN GORDON at the LYRIC THEATRE on the 6th of MAY 2026

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  TEA IN A CHINA CUP by CHRISTINA REID directed by DAN GORDON at the LYRIC THEATRE on the 6 th of MAY 2026 Amy Molloy as Beth - Tea in a China Cup   The Lyric theatre’s new production of Tea in a China Cup by Cristina Reid is a revival of the 1983 production first presented at the Belfast Festival. Mary Moulds as Sarah and Amy Molloy as Beth - Tea in a China Cup The backdrop to the first scene is a dark tenement row indicative of hopelessness, depression and death.   Perspectival lines seem skewed and offset, the mise en scene owes something to the expressionist tradition.   The sound design consists of traditional Belfast songs and tunes as well as rumbustious orange standards such as The Sash.   The playwright is located in this working-class milieu yet also directs the audience’s attention to other possibilities. The play is rooted in the experiences of working-class women as they experience the turbulence of WW2 and extends through to the beginning o...
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ROBIN HOOD the PANTO, MOSSLEY MILL THEATRE, NEWTOWNABBEY on the 22nd of December 2025

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  ROBIN HOOD the PANTO, MOSSLEY MILL THEATRE, NEWTOWNABBEY on the 22 nd of December 2025   Aaron Ferguson as the Sherrif of Nottingham Yellow Jumper is a theatre group based in Belfast.   Their new production is Robin Hood, a pantomime for Xmas based on well-known traditional material complete with pop songs and pop shows adapted into the panto’s texture.   There’s nothing much that’s original about the panto’s material, but it cheerily adapts and transforms in a show that is fun entertainment for families.   Tiarnan McCarron as Robin Hood The tone of the piece is brash and confident as it retreads the traditional panto format.   Audience participation was encouraged and this is what made it a fun evening.   Members of the audience were brought up to the stage to do their bit and the audience, including this reviewer, were sprayed with water as the Sherrif of Nothingman and Robin Hood fought it out in the auditorium.   The audience were cle...
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