The Engine

  ROBIN HOOD the PANTO, MOSSLEY MILL THEATRE, NEWTOWNABBEY on the 22 nd of December 2025   Aaron Ferguson as the Sherrif of Nottingham Yellow Jumper is a theatre group based in Belfast.   Their new production is Robin Hood, a pantomime for Xmas based on well-known traditional material complete with pop songs and pop shows adapted into the panto’s texture.   There’s nothing much that’s original about the panto’s material, but it cheerily adapts and transforms in a show that is fun entertainment for families.   Tiarnan McCarron as Robin Hood The tone of the piece is brash and confident as it retreads the traditional panto format.   Audience participation was encouraged and this is what made it a fun evening.   Members of the audience were brought up to the stage to do their bit and the audience, including this reviewer, were sprayed with water as the Sherrif of Nothingman and Robin Hood fought it out in the auditorium.   The audience were cle...

  DENOUEMENT at the Lyric Theatre, Belfast on the 23 rd of October 2025 Patrick O'Kane as Liam and Anna Healy as Edel This new play Denouement at the Lyric Theatre, Belfast, was a pleasant surprise as the content diverged from the expected literary content, as expressed by the play’s title.   Ultimately, the play was not overly literary, but a better title would enhance things. Extraordinary elements are explained by the surround sound of a world war which is sometimes far and sometimes harrowingly close.   Television sets scattered around the set send warnings but also entertain with banal musicals.   Old technology like a typewriter is contrasted with jarringly new elements like mobile phones and the internet. Minor catastrophes intrude on Liam and Edel’s existence such as a crashed van and distant explosions.   Friends phone the couple to be admonished.   A constant metallic buzz surrounds the action, murmuring irritatingly, becoming a crescendo. ...

  ELECTRIC DREAMS at the TATE MODERN on the 30 th of May 2025 Eduardo Kac, Horny, 1985. Tate. Lent by the Tate Americas Foundation, courtesy of the Latin American Acquisitions Committee 2018 © Eduardo Kac This is an exhibition bound to connect generations.   Adults and children were present, all enjoying the interactive mysteries on display. François Morellet, Random distribution of squares using the π number decimals, 50% odd digit blue, 50% even digit red , 1963 installation view, Atkinson Museum, Porto, 2023. © François Morellet. Photo courtesy Atkinson Museum Electric Dreams connects the analogue era to our own digital time, it also references the song Together in Electric Dreams , co-written by Phillip Oakey and Giorgio Moroder in 1984.   Briefly, in the not-too-distant past, meaning the 1980s, there were four TV channels, broadsheet newspapers, telephone booths that worked, there were no mobile phones, and people still wrote and posted letters.   The exh...

  VICTOR HUGO, ASTONISHING THINGS at the ROYAL ACADEMY on the 3 rd of June 2025 Victor Hugo, The Town of Vianden Seen Through a Spider’s Web , 1871. Brown ink and wash, and blue watercolour over graphite on paper, 25.5 x 30.3 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo Victor Hugo’s fame rests on his novels Les Miserables and Notre-Dame de Paris (in France his poetry is also famous).   This exhibition proves the eclecticism and artistic talent of this versatile author. Victor Hugo, Mushroom , 1850. Pen, brown ink and wash, charcoal, crayon, green, red and white gouache on paper, 47.4 x 60.8 cm. Maisons de Victor Hugo, Paris / Guernsey. Photo: CCØ Paris Musées / Maisons de Victor Hugo In total Hugo created 4,000 drawings of which 3,000 are still in existence.   The Royal Academy presents about 70 of these drawings, a mere snapshot of his entire output.   They are organised thematically to underline the claim ma...

  EDVARD MUNCH, PORTRAITS at the NATIONAL PORTRAIT GALLERY on Wednesday 4 th of June 2025   Self-portrait, Edvard Munch, 1882-83, oil on unprimed canvas Munch’s early portraits depict his family and close friends.   Munch’s mother died of tuberculosis when he was just 5 and his sister Sophie also died in 1877 when Munch was 14.   These experiences emerge in Munch’s early formative work The Sick Child (1885-86) which formed the basis of his expressionist style.   The proximity of death and the insubstantiality of existence are themes that dominate Munch’s work.   His father, a military doctor in Kristiania (as Oslo was then known) became an emotional recluse after his wife’s death.   Munch creates portraits of his family members, especially distinctive are portraits of his sisters Laura and Inge (oil on paper, 1883) which seem impressionistic and summery and optimistic.   Hans Jaeger, Edvard Munch, 1889, oil on canvas Later, Munch began to ...